I photograph the absence of visual intention, the barriers erected as holes in visual attention, the periphery of visual consideration.

Through unapologetic form and “inclusive” discipline I seek to liberate the photographic image from its inherent slavery as categorical document;
to release our emotional response from the cage of literal content recognition; to harness the rectangle as a path through the trap of object and subject;
to allow the associative emancipation of abstraction to refocus our eyes to a different point behind them.

A “through objective” intention.

These images are created “in camera” with sunlight and are not manipulated other
than by perspective, framing, simple optics and infatuated exposure.

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